The best one for you will depend on the scope of your project, the features you need, and your budget. Each has features that set it apart from the rest. Relational database to MongoDB data transfer: Automate tedious and error-prone data transfers between database types.īelow is an opinionated list of the best MongoDB GUIs on offer in 2023.Server and query analytics: Insights into query and server performance.An aggregation framework: Build queries out step-by-step, test along the way, then export into usable code.Query autocomplete: Auto-suggestions for collections, fields, methods, and operators.A visual query editor: Click or drag-and-drop elements to create queries.The best MongoDB GUIs share similar features: MongoDB GUIs provide a user interface for your MongoDB database that gives you the ability to visualize data and edit queries without the use of shell commands (or with them - more on that later). It’s definitely possible to query your Mongo data exclusively from the command line, but if you’re working with even medium-sized datasets, GUIs offer a helpful alternative. Traversing objects and writing long queries in the command line can get annoying fast, so using the shell is usually best for quick peeks or admin tasks. It’s included in the MongoDB Server installation, so you’re all set as long as you’re comfortable with shell commands. The most basic way to access MongoDB is through the mongo shell you can use it to query, update data, and complete admin tasks. Working with MongoDB through the command line isn’t exactly a cakewalk: This post will walk through the best MongoDB GUIs available for reading from and writing to your MongoDB clusters. You’re going to need to parse data for your front-end eventually, and with document DBs, your data is already stored in the right format (give or take a. MongoDB went public in 2017 and is worth more than $30 billion today.ĭocument DBs work through nested key-value pairs instead of relational tables and columns. What makes MongoDB and other NoSQL DBs attractive is flexibility instead of being held to a rigid schema that scales vertically, you can evolve your schema as you grow and scale horizontally. MongoDB is a NoSQL database that more than a quarter of developers use in some capacity.
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The way the stages are formed - especially the new ones, which, while superb, are arguably not quite as creatively inspired as the ones that inform the game’s opening 20 minutes - is to have obstacles that require you to camp and clear before moving on. Reshrined operates differently, weighing in at around an hour (including cutscenes) end-to-end, versus the Super Nintendo outing’s 50 minutes on a clean run. With both being superb examples of the genre, it’s difficult to say which is the more entertaining, although there’s something to be said for the 1992 game’s simplicity and brisker pace. At the same time, the original is that bit arcade-snappier, its layout offering greater room for impromptu slide negotiations, and the ability to take out most on-screen enemies fairly quickly once you have a strategy in play. Like the original, it’s not designed to be torn through: it’s a dense and strategic conflict that requires moments of digging in to clear the field lest it all get too much. The most immediate difference is that Reshrined plays a marginally slower game. Captured on Nintendo Switch (Docked)Īs we’ve played the Super Nintendo game right up to present day - and with some conviction, we might add - we’re well-positioned to draw direct comparisons. While there are callbacks to the original’s airship stage and torchlit castle, the structuring is altogether transformed. Here, haunted paddy fields littered with straw-thatch huts, pond demons and aggravating spirits, lead on to deep caverns and Egyptian-style tombs - all of which demand the use of your newly acquired skills. These additional properties arrive just in time for a string of never-seen-before stages (complimented by all-new musical arrangements). On the third stage, newcomer Ame-no-Uzume grants new skills, allowing you to produce an orb that auto-directs your projectiles when fired upon, and a temporary shield that requires a brief charge period. What is new, is that you’re forced to play one of five characters on different stages, each with adjusted weapon attributes, and one of whom is only available on your second completion of Story Mode. You still accrue an additional life-meter heart after each stage, and there are useful secrets scattered all over, regularly off the beaten path, within enclaves and forest glades, and quite often in the guise of stray chickens. The repel attack now does a lot more work, and is better at taking out enemies by pinging their projectiles back at them. You have a rapid-fire projectile attack, a repel defence manoeuvre that protects from incoming fire, a quick belly-slide to avoid danger, and limited smart bombs that aren’t replenished after a death. Mechanically, it remains mostly the same. When you eventually make it to the once-familiar octopus boss engagement - now a nightmare-on-raft with incredible visual bombast - it’s clear that this is a whole new ball game. You battle roaming fire snakes with your repel attack, and balding, misshapen giants camped behind terracotta walls. Stage two, although thematically the same, shifts further still, its layout and enemies fundamentally different. Then, as you find yourself roaming up little pathways and stone steps, around bends and up against cartloads of enemies, that notion starts to fade. Reshrined’s switch-and-bait is that, when you head into the first stage, it appears a straight remake. And, in-case you were wondering, a scan line option with a range of densities is available, as is the ability to switch between languages. These visual ingredients, brought to life with superb animation, are almost Metal Slug-esque in graphical precision. Water reflections, babbling streams, sun-bathed paddy fields and fiery village backdrops are all beautifully crafted, while the run-amok cast of Japanese mythological enemies positively bleed personality. This wasn’t lost on Tengo Project’s art team, who endeavoured - and succeeded with aplomb - to cram every inch of its freshly rendered maps with charming attention to detail. The Super Nintendo game’s distinct Japanese theme, travelling old Japan as a Shinto shrine maiden and a tanuki raccoon dog, was one of its most endearing aspects. But the DAU growth indicates BeReal may still be the one to beat when it comes to capturing the attention of the younger Gen Z audience. We also heard the app had around 2 million DAUs as of this April.īeReal is facing competition now from social giants TikTok, Instagram and Snapchat, which have all cloned its main feature of dual photos (photos taken at the same time using the front and back cameras). For comparison, The Information noted that the app had 7.9 million users as of July of this year. (BeReal’s valuation was previously reported by Insider and then The Information.)Ī source told TechCrunch the company now has around 20 million DAUs. The round values Paris, France-based BeReal at a valuation north of €600 million - which at today’s exchange rates is just under $587 million. TechCrunch learned that the startup closed a $60 million Series B round earlier this year. There’s no good solution for this problem, beyond the use of age-verification technologies like video selfies, which come with their own set of issues around privacy. While the changes seem sound in theory, TikTok users - kids, often - do lie about their ages when joining the app. In addition, TikTok will now require users to be at least 18 years old before they’re allowed to go live on the platform. The company is not going to compete with OnlyFans, however - these adult streams won’t be featuring actual adult content, as that’s still against TikTok’s policies. This change will allow creators to target only TikTok users ages 18 and up in order to broadcast about topics that aren’t appropriate for children or may just be uninteresting to them. TikTok is venturing into new territory with the addition of adult-only livestreams. To date, the startup had raised $56 million - what West paid, however, is unknown. Apple allowed the app back in earlier this year, but Google only recently did the same.Īssuming the deal goes through, it could be a good outcome for Parler. Parler, meanwhile, is a known haven for conservatives to the point that it had been pulled down from the App Store and Google Play following the January 6 Capital riots for its role in inciting violence. West had accused Twitter and Meta of censoring his conservative opinions. Kanye West announced on October 17 that he has entered a deal to buy Parler, the “free speech” platform where the rapper, who also goes by Ye, believes he can’t be “canceled” as on other social apps - aka being held accountable for his antisemitic posts in violation of platform policies. This Week in Apps offers a way to keep up with this fast-moving industry in one place with the latest from the world of apps, including news, updates, startup fundings, mergers and acquisitions, and much more.ĭo you want This Week in Apps in your inbox every Saturday? Sign up here: /newsletters. Global spending across iOS and Google Play last year was $133 billion, and consumers downloaded 143.6 billion apps. But overall, the app economy is continuing to grow, having produced a record number of downloads and consumer spending across both the iOS and Google Play stores combined in 2021, according to the latest year-end reports. Global app spending reached $65 billion in the first half of 2022, up only slightly from the $64.4 billion during the same period in 2021, as hypergrowth fueled by the pandemic has slowed down. Welcome back to This Week in Apps, the weekly TechCrunch series that recaps the latest in mobile OS news, mobile applications and the overall app economy. Upgrade woodstox to 1.4.0 and jettison to 1.5.Replace active wait with wait/notifyAll.Linux: improve launch script to take into account script location.Re: Davmail-users LDAP/Contacts in Outlook Brought to you by: mguessan. davmail.properties file readable by user only on create DavMail POP/IMAP/SMTP/Caldav to Exchange. Linux: fix PosixFilePermissions for writeable only by user.Linux: block davmail azul when davmail script is located under /usr/bin (package installed).Update winrun4j wrappers after lib upgrades.Windows: Add missing labelReplace active wait with wait/notifyAll in DavService.Experimental: store refreshed token when davmail.storeRefreshedToken=true.O365: change persist token logic to store new refresh token after succesful refresh.O365: adjust logging level on O365 refresh token error.O365: retrieve number matching value during phone app MFA.O365: implement number matching logic in O365Authenticator DavMail is a POP/IMAP/SMTP/Caldav/Carddav/LDAP exchange gateway allowing users to use any mail/calendar client with an Exchange server, even from the.(even if DavMail is not impacted with standard configuration) O365 In addition, some Log4J specific patches to remove vulnerable classes from library Store new refresh token received at authentication. DavMail accesses the Outlook Web App and provides a gateway for (mail) clients to the Exchange server of GWDG by using the protocols CalDAV for calendars and CardDAV for address books. Tested successfully with the Iphoneįirst release in a long time to publish pending changes, including Kerberos support fix,Įxperimental number matching support for upcoming Microsoft authenticator default configuration change, Thus any standard compliant client can be used with Microsoft Exchange.ĭavMail gateway is implemented in java and should run on any platform. Messages on the server in any folder, POP to retrieve inbox messages only, Caldav forĬalendar support and Carddav for personal contacts sync. This means LDAP for global address book, SMTP to send messages, IMAP to browse The main goal of DavMail is to provide standard compliant protocols in front of proprietaryĮxchange. Support with attendees free/busy display. Thunderbird with Lightning orĪpple iCal) with an Exchange server, even from the internet or behind a firewall throughĭavMail now includes an LDAP gateway to Exchange global address book and user personalĬontacts to allow recipient address completion in mail compose window and full calendar Gateway allowing users to use any mail/calendar client (e.g. Ever wanted to get rid of Outlook ? DavMail is a POP/IMAP/SMTP/Caldav/Carddav/LDAP Exchange and Office 365 He embraces her at the end of the previous shot in a pathetic final attempt to find some sort of comfort in an otherwise austere and unforgiving series of events taking place over an indeterminate amount of time – it seems their whole lives have been like this. A woman who seems to be the new guardian of Lee Kang-sheng’s children shrugs Lee off of her. I start Stray Dogs from the two hour and five minute mark and wait until the film cuts to its final shot – a long take of about seven minutes. We’re left wondering if we’ve witnessed Lee’s excursion over the course of the movie, or if it isn’t until he stands in this room that his journey begins. A tension between the interior and the exterior permeates the film and reaches a sort of climax near its end. Although it’s Lee’s first time here, it feels like a return somehow. At the end of the film, Lee Kang-sheng is led to a second-story room of an abandoned building we’ve seen once previously. But to go on an excursion, to go out, suggests there is a return, a coming back inside. In this way, the movie is posed as one large excursion, all of the actors entering from remote places as a sign of their going out into the world. In separate shots at the beginning of the film, Lee boards a small boat, pushing through the reeds into the water, while his children emerge from a forest. Each day seems like an excursion in which these stray dogs go out to scavenge their food for the day. However, the film’s title in Chinese is 郊遊, jiao you, which translates to “excursion,” or “going out.” Because their everyday lives are so unstructured, there are any number of excursions throughout the film. There are literal stray dogs in the movie, and the timing of their two appearances is auspicious, but it’s quickly obvious that this small family is a figurative pack of stray dogs, living where there’s just enough space, eating whatever is available. They squat in a makeshift room in an abandoned building and wash in a public restroom when they get the chance. Tsai Ming-liang’s 2013 feature, Stray Dogs, follows the mundane yet challenging daily life of a nameless father played by Lee Kang-sheng, who makes an evidently scant living holding signs advertising businesses, and Lee’s children who spend their time at the mall and at grocery stores while he works. For Tsai, the person is like a house, the body an ever-aging building. But the association is not unidirectional. You see? Every house has a story.” The cracks, textures, debris, and brokenness of buildings are representative of the experiences of the building, the lifetime of the building. The cracks in the walls are like its wrinkles. When Lee’s daughter asks her new caretaker why the apartment is such a mess, she answers, “A house is like a person.
Made on relatively small budgets by Hollywood standards, they can also be put out on wide release in markets like Germany whose P & A costs pale before those for a wide U.S. The movie turns teen comedy conventions on their head, Shoemann told Variety earlier this year: “Our premise was: What would happen if the teachers are the ones who are having problems becoming adults and taking on responsibility, rather than the teenagers?”ĭagtekin’s films are also dramatic examples of the growing number of local comedic blockbusters that increasingly outgross Hollywood comedies around the world. That could be a hint that he already has an idea of at least the first of the titles in the output deal.Ī revival of Germany’s high-school comedy, once a film staple in the country, “Shakespeer” stars M’Barek as an ex-con who can hardly spell but takes on a job as a teacher just to recover the loot from a heist that is buried at the school. “Constantin Film is the best possible professional home that you can wish for as a filmmaker,” Dagtekin added, saying he was looking forward to new projects with Moszkowicz Constantin’s Torsten Koch Constantin’s Lena Schoemann, producer of “Turkish” and “Shakespeer” and Elyas M’Barek, star of all three of his films. We are very proud to be able to work with Bora for the coming years,” said Martin Moszkowicz, Constantin Film exec board chairman. More than anybody else, he combines zeitgeist, innovation and quality and success. Gabriela Maria Schmeide has been cast as Ms Mueller, with other parts taken by comedienne Anke Engelke (presenter of the Berlinale’s opening and closing ceremonies and the European Film Awards), Mina Tander, Ken Duken, Alwara Höfels and Justus von Dohnányi.Ĭonstantin Film will release the film in German cinemas on November 20, 2014.“Bora Dagtekin is an exceptional artist within the German filmmaking community. The teacher storms off, accidentally leaving her handbag with a list of the grades - which are quite the opposite of what the parents had feared - and the work begins to get Ms Mueller back.Ĭonstantin Film Produktion co-produce the feature with Wortmann and Tom Spieß’s Cologne-based Little Shark Entertainment. The story centres on a raucous parent’s evening where the prime goal is to oust Ms Mueller for the low grades she has given to their offspring. The film is based on Lutz Hübner and Sarah Nemitz’s eponymous play, which Wortmann had staged at Berlin’s children’s and youth Grips Theater ( Linie 1) in 2012. The latest project by director Sönke Wortmann, who scored a box office hit in 1994 with Maybe… Maybe Not (Der Bewegte Mann), is an adaptation of stage comedy Ms Mueller Must Go ( Frau Müller muß weg). School-based stories are clearly much in favour at Constantin Film. Suck Me Shakespeer, which won a German Film Award last month as the country’s most successful feature of 2013, is handled internationally by Berlin-based sales outfit Picture Tree International. Schömann’s first project at Constantin will be the sequel to Suck Me Shakespeer, which will begin shooting this summer and be released by Constantin Film on September 10, 2015. Together with Becker, she produced writer-director Bora Dagtekin’s box-office hits Turkish For Beginners and Suck Me Shakespeer which has seen by over 7m cinema-goers in Germany alone and has taken over € 52 m since its release last November. Schömann’s credits at Rat Pack included The Crocodiles family film franchise and 3D adventure Wickie and the Treasure of the Gods directed by Christian Ditter. The usual cause for the fund is to invest in rounds with 5-6 partakers. Among the most popular portfolio startups of the fund, we may highlight Intelligent Energy, Vida Health, Lucira Health. Besides, a startup requires to be at the age of 2-3 years to receive the investment from the fund. Among the most popular fund investment industries, there are SaaS, Enterprise Software. For fund there is a match between the location of its establishment and the land of its numerous investments - United States. When startup sums 5+ of the founder, the probability for it to get the investment is little. The fund has no exact preference in a number of founders of portfolio startups. The overall number of key employees were 7. This organization was formed by Cameron Teitelman, Dan Ha, Jonathan Golden. Considering the real fund results, this VC is 20 percentage points less often commits exit comparing to other organizations. The usual things for fund are deals in the range of 5 - 10 millions dollars. The fund is generally included in 7-12 deals every year. The typical startup value when the investment from StartX (Stanford-StartX Fund) is 10-50 millions dollars. The higher amount of exits for fund were in 2019. The venture was found in North America in United States. The main office of represented VC is situated in the Palo Alto. StartX (Stanford-StartX Fund) is the famous VC, which was founded in 2010. They allowed the Aesfrosti army to pass through Regna's kingdom, with the catch being Aesfrost must maintain joint control over the source with Glenbrook once they could conquer Hyzante. He grew furious at Hyzante's monopoly over salt and contacted King Regna Glenbrook regarding passage into Hyzante, asking for an alliance with him. He was the previous ruler of the Grand Duchy of Aesfrost during the Saltiron War, a conflict between his country, the Kingdom of Glenbrook and the Holy State of Hyzante.The Grand Duchy of Aesfrost is part of the fictional continent of Norzelia in the video game, Triangle Strategy. Edelgard is also the leader of the Black Eagle House at the Officers Academy and disguises herself under a male persona, called the Flame Emperor, in attempt to overthrow the Church of Seiros and conquer the other nations in Fódlan. Formerly the crown princess and heir apparent, she becomes the crowned "emperor" of Adrestia following her brief reunion with her ailing father Ionius, although many of her siblings had died after being imbued with Crests.Empress Edelgard von Hresvelg (voiced by Tara Platt).He even had Lord Volkhard von Arundel, Anselma's brother who returned from Faerghus to Adrestia as its regent, allied himself publicly with Duke Aegir to capture Ionius's children, except one daughter Princess Edelgard, and infuse them with two " Crests" in attempt to create a powerful, peerless emperor. During the coup of the Insurrection of the Seven, Ionius lost the power struggle to the Prime Minister, Duke Ludwig von Aegir, and other imperial noble houses and was rendered politically impotent. He was the previous ruler of Adrestia and the head of House Hresvelg who had multiple empress consorts, including Anselma von Arundel (who later becomes Lady Patricia of Faerghus).Emperor Ionius von Hresvelg IX (voiced by Paul St.Wilhelm was eventually succeeded by Emperor Lycaon, whose death led the War of Heroes to finally end after the Adrestian Army achieved victory with Seiros slaying Nemesis. He was the first monarch who along with Saint Seiros of the Church of Seiros (aka Archbishop Rhea) found the Adrestian Empire and raised an army in pursuit of unifying Fódlan, before the evil Nemesis, the King of Liberation, noticed Adrestia's efforts and railed his forces, the Liberation Army, to confront his enemy, thus sparking the War of Heroes.Maas.Īdrestia is an empire in the fictional continent of Fódlan in the video game, Fire Emblem: Three Houses, and its spinoff, Fire Emblem Warriors: Three Hopes. King Dorian Havillard, the former crown prince, succeeded his father the previous King of Adarlan in the Throne of Glass novel series by Sarah J.Elias Acorn becomes the new King of the Kingdom of Acorn after his father's abdication.King Maximillian Acorn (also known as King Nigel Acorn) is the rightful ruler of the Kingdom of Acorn and the father of Elias and Sally Acorn.FEFLib uses the MIT license.The Kingdom of Acorn is featured in the Archie Comics series, Sonic the Hedgehog. Most of the editors included in FEFEditor use classes from another project of mine, FEFLib.ControlsFX also uses the new BSD license. The ToggleSwitch control comes from ControlsFX.FEFEditor comes bundled with a modified version of JMetro8 from the JFXtras project.Alternative versions of the dialogue editor and support editor for DLC files.FEFNightmare and Fates Script to cover smaller files and scripts.A Castle Join editor for making new characters join through My Castle.A dialogue editor to make adding in level up quotes and My Castle lines easier.Terrain, Dispo, and Person editors for building new chapters.An IndirectSound editor for editing combat voices.A support editor for giving characters additional supports and allowing new characters to support.Fates Script, as the name suggests, allows ROM hackers to decompile and compile scripts for use in Fire Emblem Fates. FEFNightmare uses a simple, text-based format to generate editors for files which do not need dedicated editors. This includes files related to adding in new characters, chapters, and supports.Īdditionally, FEFEditor comes packaged with FEFNightmare and Fates Script. The program includes editors for most files that any aspiring ROM hacker would want to edit. FEFEditor is a general-purpose editor for Fire Emblem Fates. |